Artesano Titer B22
Space Metaphysics

Some things take time. Harsh Puri aka Reformed Society has been sending me music for more than 3 years. Not just one or two tracks but more than 100! During the lockdown, we spoke over the phone and I told him my way of working, which is to plant a seed that can grow and give it time to blossom. He then went on to tell me his method of working and how that had changed during the pandemic. From finishing tracks within a day, he decided to take more time with his projects now, spending countless hours learning the construction process of different sub genres within dance music that he hadn’t made before, all in the pursuit of being a better producer. This still resulted in over a 100 tracks being sent to me and as Harsh was not able to catch up with naming tracks, all his demos were called “Untitled 000 up to Untitled 150-something”. One day I received another batch of “Untitled tracks” and on hearing the new tracks I knew the seed had blossomed and it was time to compile a record by Reformed Society. In the meantime we met in London and Barcelona and became friends. Harsh told me that most of his tracks are made with the club in mind, more to be played at night and in indoor spaces. Overall, this double ep has an old school influence. Half the tracks have a sound inspired by UK tech house (97-04) with a very “heads down”, serious, and deep vibe for mid-size to semi-large rooms or clubs. It goes even deeper, envisioning people well into their mdma high, feeling full of love and maybe even some introspection. Harsh was born in New Delhi, India in 1983 and later moved to Antwerp, Belgium. He went back to boarding school in Rajasthan, India then lived in the USA to study electrical engineering until 2006. Although he’s been deejaying and going to clubs since he was 17, it was only when he moved to London that he became a serious clubber, exploring different parties in the city every weekend. This is pure deep tech house music that reflects his life on and off the dancefloor. Now it’s time to play these straight up dancefloor bombs out in the club. Thanks for your patience and your music Harsh, I’m so happy we made this double ep work.

Six years, fifty releases, countless artists and multiple subsidiaries; the Oyster Cult’s reach extends far beyond what sceptics once thought possible. It’s only fitting, then, that we gather some of our finest under the Kalahari banner in celebration.The anniversary release is upon us. Six whole years since Jacy helped inaugurate the label with a spin on Midwestern house, OYSTER40 signals a landmark occasion. 18 tracks, quadruple vinyl boxset action, and in true Oyster Cult tradition, it comes bearing pearls.Dancefloor squarely in focus, the Cult assembles on a compilation spanning alumni and new inductees alike. It’s an assemblage of the fractal, explorative and ritual-ready; at once a focused distillation of the Kalahari sound and celebration of its many acolytes. Big on atmosphere, heavy on groove, we delve deeply into the musical DNA shared by all who grace the label.Tough, direct cuts (Sansibar, Roza Terenzi, Big Zen, Maara & Priori) to the pristine and widescreen (S.O.N.S., Volodymyr Gnatenko, Adam Pits), this is all quintessentially Kalahari. Elsewhere though, the likes of D. Tiffany and SW. journey further into realms of abstraction: the former opting for hi-tech, dreamstate IDM, while the SUED co-founder dissolves a house template into dubby introspection.Calling upon contemporary talents for the most part, there are also exceptions. Raymond Castoldi - the one-time house producer best known as Madison Square Garden’s music director - returns with an unreleased nugget from ’91, while an ‘Aliens’-sampling track from Detroit-indebted techno outfit Syzygy gets the reissue treatment.

Powerfully epic breaky sound hailing from the UK during the early 90s. Beautiful tempo juxtaposition of fast passed driving beats pushed by low ph bass lines under slower piano riffs and patient vocal elements making it a hard one to forget. Low end elements clearly carved from primordial UK Bass aesthetics taking the amen break to new plateaus already very much overlapping with Drum & Bass territory. Ultra dreamy vocals on some kind of The Mamas and The Papas reincarnation, UK dreaming all the way. Heavy ending track vibes. In addition, Juan Ramos' masterful half tempo remix offers the listener a completely different experience with full respect for the original, what else to expect from someone with this caliber of dance floor education <3 meticulously remastered.