Die Roh
A Date With Barbara

After the digital release of Salsipuedes Pt1 , Uruguayan label ¨Lunfardo Records¨ side by side with Small Black Dots crosses the Atlantic and shapeshifts into vinyl to bring us ¨SALSIPUEDES Pt 2¨. The Salsipuedes Massacre was one of the first “measures” that the first Uruguayan State would take (the extermination of the Indigenous). Lunfardo opens the ancestral portal, makes it visible and breaks the silence with the support of the sound of Prince de Takicardie, Central Intelligence and three of our own ¨Lunfardians¨ in a charged with strong ancient energy record.Artwork by @estudio.polarFor more info @Lunfardo.records

4 bugged-out and massive club jams by Jamie Leather and Christopher Ledger for their Craigie Knowes debut. A serious mix of house, breaks and electronics that tie back to the golden age of dance music while rocketing towards a pure and technologic future. The A-side coming courtesy of their joint CLJL moniker while the B-side is produced solo by Jamie Leather. If you’ve been at a festival in the summer of 2023 it’s almost guaranteed you’ve heard this one blowing the roof off a tent laden with party-goers or sending the soundsystem into meltdown at your favourite outdoor arena.

Altered Circuits' next release comes by way of Bologna-to-Berlin transplant Jacopo Latini. On the Motherboard EP he combines stubby drums and sultry, efficient basslines with richly hued synth work. Once the cuts get going, a tapestry of melody reveals itself: gated leads are accompanied by burbling arpeggios, momentous chord progressions and bright pads that crawl in and out. The patches often incline to the bright and dreamy but are deployed with restraint; in the same vein, concealed and aloof vocal samples get sprinkled in. These techniques - staples for the artist - add an inscrutable quality to his work's mood. It is dance music that feels direct on the surface yet hides more ambiguous emotions underneath. Being a DJ was Latini's first approach to the electronic genres, and it arguably still is his main inspiration - it even occurs he writes tracks with a specific venue in mind. Since starting over a decade ago, and having meanwhile swapped the local Italian stages for the international ones, he has amassed a ton of analogue gear to help him do so. On this occasion, he plugged in his Roland D-50, Moog Sub 37 and microKorg XL, among other favorites, to take on progressive, trance and tech house. "Motherboard", "High Voltage", "It Comes In The Morning", and "Dual Effect" make for a diverse selection but have indeed the same objective: the club floor.

A 4 track 12 inch EP, 4 completely different sounds, each one written with a different process. These tracks do not converge towards a single musical style, but each one has its own taste and goes through its own sonic evolution. A tangle of sounds that looks at itself, without time, without space, without wanting to be or look like something that already exists.