Dan Andrei
House, Stage, Backstage EP

Altered Circuits' next release comes by way of Bologna-to-Berlin transplant Jacopo Latini. On the Motherboard EP he combines stubby drums and sultry, efficient basslines with richly hued synth work. Once the cuts get going, a tapestry of melody reveals itself: gated leads are accompanied by burbling arpeggios, momentous chord progressions and bright pads that crawl in and out. The patches often incline to the bright and dreamy but are deployed with restraint; in the same vein, concealed and aloof vocal samples get sprinkled in. These techniques - staples for the artist - add an inscrutable quality to his work's mood. It is dance music that feels direct on the surface yet hides more ambiguous emotions underneath. Being a DJ was Latini's first approach to the electronic genres, and it arguably still is his main inspiration - it even occurs he writes tracks with a specific venue in mind. Since starting over a decade ago, and having meanwhile swapped the local Italian stages for the international ones, he has amassed a ton of analogue gear to help him do so. On this occasion, he plugged in his Roland D-50, Moog Sub 37 and microKorg XL, among other favorites, to take on progressive, trance and tech house. "Motherboard", "High Voltage", "It Comes In The Morning", and "Dual Effect" make for a diverse selection but have indeed the same objective: the club floor.

There’s a time for everything. To fill in another piece of the puzzle. To make the matrix make sense. Trying not to hide it, trying not to fight it. Just trying to recognize it and keep on going. This four-tracker, the first release on Sansibar’s 'Sin Sistema' imprint, borrows the best elements of formulas we love, and for a good reason. ‘We Rise’ a spiraling, mesmerizing infusion of yearning pads and a twisting acidic wormhole that leaves no room for doubt: this is Sans on form, and we have lift-off. ‘Elastic’ continues the lysergic theme, turning the dials towards a more sinister entity. Growing, realizing one’s power, and using it. And on to the B-side, joining forces with Denzel, becoming ‘Sonic Minds’, getting into Techy territory. This is strictly festival business. Tried and tested throughout summer ’23 to devastating effect. Call an ambulance. The final track ‘2k’ ups the Tech ante and sprinkles some murky UK Garage dust on top: skippy drums, a bouncy bass section, and dubby atmospheric

Broken Techno/Electronica label Theoretical Rhythms is back with another vinyl release. This time it is a 4-track compilation EP called "Confessions". Featuring a carefully curated selection of tracks from diverse artists, "Confessions" takes you on a journey through emotions, melodies, and introspective narratives. Each track serves as a musical confession, laying bare the artists' innermost thoughts and experiences. The compilation opens with Varna's own Virtually J who masterfully sets the tone for the entire collection with his composition. From there, listeners are guided through a sonic landscape that seamlessly blends genres, showcasing the rich tapestry of musical expression. London duo Getae are showcasing their talent with the dance floor filler "Stumble" and Getsu opens the door to another dimension with his story "Otklonenie". With its minimal composition, broken beats and various effects Getsu invites us to divert from our path and experience another world. The EP concludes with Nickel Eye's "Lodi", a story that starts on a darker side with repetitive rhythm to transform to a jazz epos."Confessions" is more than just a compilation; it's an exploration of vulnerability and authenticity. Each artist bares their soul through their music, creating a connection with the audience that goes beyond the surface. "We wanted to create a compilation that goes beyond the ordinary, something that resonates on a deep, emotional level," says Nickel Eye, Theoretical Rhythms' head honcho. "This project is about sharing our musical confessions and inviting others to do the same". With its innovative approach to storytelling through sound, "Confessions" promises to be a standout in the music landscape, inviting listeners to immerse themselves in a musical experience that is both intimate and expansive. "Confessions" is a testament to the power of music to connect, inspire, and evoke raw, authentic emotions. Press play and embark on a journey of musical confessions.

Ed Cartwright's first compilation, which is landing in two parts (this is the first), celebrates the period between 1992 and '96, when electronic music in Britain was going in a multitude of different directions, and the (ultimately unfulfilled) 'brave new dawn' offered by Blair's New Labour government was still some way off. Cartwright's selections thus flit between gorgeous UK techno (Syzygy's 1992 gem 'Meditation'), sub-heavy post-bleep brilliance (Cabaret Voltaire), classic IDM (the Black Dog's Ken Downie as Xeper), mind-mangling slow acid (Thunderhead's excellent 'True Romance'), anti-Criminal Justice Bill material (Ultramarine's 'Happy Land') and some early Matthew Herbert brilliance ('Housewife'). Throw in extensive liner notes from dance music historian Matt Anniss, and you have a fantastic package.