K-rAd Opcode66
KNO-003

After 6 years, label boss Ewan Jansen circles back to Red Ember’s main with a new EP. A concept journey equally for the mind and the dancefloor that strays from his house roots with themes of mysticism pushing wider rhythm palettes and creative synthesis.The opener ‘Solanoid’ marches over the horizon; a solid progression of sun-scorched chords, goaded by some distinctive chanting synths and driving bass.‘Caravania’ answers as a stomping IDM-esque fable, joined by bubbling rhythms on the ground and a central writhing serpentine synth guided from high above by voices unknown. The flip side quickly de-camps from the physical, with the organic ‘Mistik’ seeing elements of rave and tribal electronica driven by tuned kicks, sub-bass and resonant rhythms.Lastly, a stoic tome of stone and water is left with ‘Gecko’ – a skittish chunky groove, with isolated melancholic tones that find harmony in the end.

Special collaboration between O.C.D. and Kalahari Oyster Cult for Record Store Day 2021 - Limited to 300 copies. Available EXCLUSIVELY at Small Black Dots and One Eye Witness record stores from June 12th 2021 (RSD 2021)

Few dancefloor tracks can be identified by their kick drum alone, “Blue Monday” is clearly one of them. These mixes seem to paint two very distinct pictures of this classic, yet also very understandable why they were never released – not the easiest thing to digest on a dancefloor. The authorship of these mixes isn't clear, but rumors have it to most likely be some ridiculous late night experiment from the sound engineer interning at the time. Taken from master tapes that surfaced almost 40 years later, (God bless magnetic tape). Some mixes were never released for a reason.